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Synopsis

Jean-Marc Chapoulie

Mister Google, Who Owns Reality ?

Mr Google, who owns reality? opens up the field of a new genre: the virtual thriller.
Hard drives and servers chatting with each other and the continuous flow of social networks form a hilariously melancholic manifesto on the right to anonymity. Jean-Marc Chapoulie’s film soon becomes a breathtaking journey in a community of images without limits.


→ 45 min, français, 2013



Technical details


Title Mister Google, Who Owns Reality ?
Directed by Jean-Marc Chapoulie
Year of production 2012
Produced by Khiasma/ Pianobile (Genève)/ Dicream
Running time 45 min
Original language French
Subtitles Englilsh
Format 4/3
Shooting format
Screening format DVD / digital file
Shoouting sound format Mono
Screening sound format Mono
Colour Colour

Credits

Script  Jean-Marc Chapoulie, Thomas Clerc

Image Snapz Pro, Jean-Marc Chapoulie
Editing  Arnaud Maudru, Jean-Marc Chapoulie
Mixing  Thomas Forel

Musique Stéphane Bérard
Voice-over Louise, Bruno HD, Thomas Clerc


Picture-s   1 / 2

still-chapoulieimagegoogle

Poster

affiche_chapoulie_web

Jean-Marc Chapoulie

Born in 1967 in Poitiers

Les Lilas

 

Jean-Marc Chapoulie is a French filmmaker and videast. He performed in the punk and rock scene in Poitiers and played the keyboard in a local punk group: Emergency. He also collaborated on fanzines, including Tant qu’il y aura du rock. From 1992 to 1999, he worked as assistant director of the documentary series Cinéastes de notre temps (Filmmakers of our times), directed by Janine Bazin and André S. Labarthe. Then, from 2002 to 2006, he intervened on a regular basis at the Studio Le Fresnoy and taught at the Ecole supérieure d’art in Grenoble as well as the Regional School of Fine Arts in Besançon. In 2001, Jean-Marc Chapoulie was one of the associated curators at the Lyon Biennale of contemporary art, after having taken his first steps in the domain in collaboration with, amongst others, Harald Szeemann and André S. Labarthe in the 1990s. Jean-Marc Chapoulie was then invited to the Lyon Biennale as an artist, where he presented a work titled The Corridor of Cthulhu, in which he questioned the specific systems of exhibition of the moving image as part of an installation and, in particular, the role played by the spectator in such a context. In 2006, he presented a film on the Tour de France, TDF06, at the Palais de Tokyo. In this case, the principal thrust of his work was the question of editing. Since the end of the 1990s, using the name Alchimicinéma, Jean-Marc Chapoulie proposes hybrid seances, at the same time conferences and performances, projections and installations. In the eponymous collection published in 2008, he reveals his thoughts on what could be recognized as cinema. His considerations include ideas on the redefinition of the genre, elements of support for moving images and a heretical history of filmic practices, as well as the methods of fabrication and exhibition of films, without forgetting questions of author’s rights and copyrights. Since 2006, he has taught at the Fine Arts School in Annecy in the video/cinema department.


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